Happy Movies During Hard Times
During the Depression (the one that started in ’29, not ’92), the big movie studios made splashy, high-fashion, lets-all-have-fun films to help take people’s minds off the misery and hunger that they were living in. You could see a movie for a nickel then, and crowds thronged to the theaters to watch the world where people danced and drank champagne and wore marvelous clothes. Pretending that someone somewhere was having fun was the next best thing to being there.Movies have changed a bit since then, with many popular films being based on audiences watching scenes of horror that would disgust less “civilized” cultures, where people aren’t inured to violence as a form of entertainment. But what hasn’t changed is the importance of feminine beauty to carry even the lousiest films out of the red and into the black. And if you can get them to take off their clothes (or find a body double to fill in), the film will be even more successful.
I love movies, especially good movies with strong plots and good dialogue and excellent acting, which is why these days I watch a lot of foreign films. But if I really, truly believed that the actresses I see on-screen look the way I’m supposed to, I’d get depressed and stay that way.
Models Make Many Women Over Analyze
Fortunately, I have a strong reality orientation and a pretty healthy ego. I’m not going to look like Winona Ryder anytime soon, I guess, but I get by. And if I feel my reality slipping, I tune into a fashion show on the Entertainment channel and watch a half-dressed model slink down the runway like some sick animal seeking its lair. It’s hard to take media representations of female “beauty” seriously when you’ve just finished counting the ridges on a model’s ribcage.(I’m thinking of starting a non-profit called Save the Models. Its primary purpose would be to provide models with nourishing soups, delivered on-site, 24 hours a day.)
So this morning I was watching an unending series of Jimmy Cagney movies and trying to concentrate on my work, but I kept getting distracted by Bette Davis, who played a nice girl, a nurse, in this 1933 movie. It was before Bette got her Bette Davis Eyes and the crazy, dark role she was later type-cast in so well.
It wasn’t so much Bette who distracted me as it was Bette’s makeup. Her eyebrows were pencil-thin and penciled in, and her face looked pasty—stage makeup has changed a lot since 1933. If I hadn’t read the credits, I wouldn’t have known who she was: she was that ordinary (in an actress kind of way).
So I was watching Bette fall in love with Cagney, and thinking about, how before she was freaky and noire and so very Bette, she was just another pretty girl in a film. And I wondered, what would have happened to Bette if she had happened on that crazy eye shadow and that hard-edged look she later acquired? Would she have ever become a Famous Star? Maybe not, but we’ll never know, because she was a great actress, and might have made it even with looking like just another pretty face.
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